Archive for the ‘ Disney ’ Category

Shift in Process, Part 9; The Blue Fairy

As soon as the parade rounds the corner, I start ripping tape off the ground. At this moment, I am supposed to be two places at once. Good show is demanding. I backtrack the parade route a bit finding the other blue wands waving in the air. I hop in the line, for the quickest exit please stay to the right, raise my wand in the air, please stay to the right, and start waving it back and forth. Stay to the right. About here is where you are tired of it. Is humanity so clueless and selfish to not do such a simple thing such as staying to the right of a pathway? It takes 40 people an hour at $7.25 each to keep humanity from stopping itself in the street and trapping itself. We stand and wait for that blue fairy, our favorite Disney property. She makes it all end, when she appears, we go home. Until she appears, STAY to the RIGHT.

Oh look, it’s the blue fairy!

My favorite line from any Disney any thing. Our arms come down, we duckling out down the street, swing right towards first aid, and disappear into the wall. With a fireworks finale behind us, we walk towards the cooler only to presented with the cheapest refreshing option the union will allow, and grab ourselves a cup of Squencher. We down it, and before trudging to the clock we have to throw away our cups. I walk up to the computer, hit my six numbers, enter, enter and I now get paid to walk back through the park, trudge down the utilidors, wait for the bus, and figure out where I put my car 4 hours ago. I collapse at home in my bed, remembering I have to be at my real job in 8 hours at 8am.

At least I can escape. Some have been here for 20 years, day after day, doing this same process. I do it when I choose to. Other do it because it chooses them for life.

Shift in Process, part 8

1:25 – Pete and his dragon are still as annoying as ever. We’d really be happy if Elliot did his trick and actually stayed disappeared. The world would also be better if Pete just would hit puberty. But this is Disney World, no one ages and the children stay children even when they still shouldn’t be. Adults become children here too. Walt always wanted this, but I’m not sure he realized how childish the adults could become. When the adults get upset that Mickey has to take a cheese break or go home for the day and they won’t be able to get a picture with him *right* this second even though they had all day. Or they walk up to that one attraction that is the most important component of their entire trip, a minute after close on the last day of their trip. Priorities and logical thinking are irrelevant to children, the id rules all.
1:20 – Here come the dancers slash safety barriers. Only at Disney would the people who guard the massively large float be lit up in patriotic colors. The wing dancers are actually the emergency breaks and the graceful dancers can quickly break character and tackle a street headed child if needed. Now that the parade has ended, the real fun begins. It’s time for two-way.

Shift in Process, Part 7

Make sure you start with Part I

1:35 – The parade has finally reached the hub. I see Tinkerbell rounding the corner on her large bulbous float. Float is a misnomer here, crush is more appropriate. The reason there are always dancers in the front of any parade is to provide a buffer in case people are not properly out of the street in time. In that case, we get a nice talking to afterwards at The Green Umbrella, but at least no one gets flattened. Once the parade reaches your zone, Guests don’t seem to comprehend that in fact, the crosswalks still need to remain as clear as before. The wall of people I have been holding back onto the bridge start to move in, I have to plant myself in front of them to keep them from filling in the beautiful pathway I have spent the last hour keeping clear. Little do they understand that Snow White is human and might get tired from having greeted 12,000 Guests and be about to pass out. We wouldn’t want a fainted princess would we? Plus, there is the occasional need for an alpha run smack dab in the middle of the hub in the middle of the parade. It’s already hard enough to get a stretcher across the parade route, much less through the crowd. People stop in the middle of the pathway, not even moving to the side anymore to do so. At least that makes it easier to block their view and ask them to continue along. As long as they are moving though, I have no problem, even if it is a man walking a stroller back and forth over the same 100ft for two. hours.

1:30 – Here come the donkey boys. For whatever reason, the asses bring out the asses. The guests think, oh, crazy guys dancing in the street, it must be ok to run across the route now. Contrary to popular belief, the asses in the street are much further trained than the asses on the sidewalk and actually know what they are doing.

Shift in Process, Part 6; Electrosynthomagnetic Sounds

Make sure you start with Part 1

1:45 – I see down the street in town square Shane is scampering towards the Christmas tree to flip it off. Everything is automated about the parade, to the windows on the street automatically cracking open so the soundtrack can be heard, yet the gigantic 50 foot Christmas tree in town square manually has to have it’s lights flipped off every parade. All the other lights in town square flip off, and I hear the electrosynthomagnetic electrical sounds of Disney’s Main Street Electrical Parade! (dun-duh!) At the same time up here in the hub, the 10 minute announcement is made. The crowd gets excited, and I…don’t. Now that we are close to the parade, foot traffic has picked up through my area since Guests are starting to be redirected around the route. Of course I love to remind people out loud of the fastest way to the exit, through the rose-garden, behind the popcorn cart, and around and through the bypass. From there they will be wisked away magically to the front of the park where they can happily hop a monorail and get out of the park reducing the crowds from the nice 50,000 to a slightly better 49,999. One less family with a crying child trying to find a spot to watch the parade at the absolute last minute. I see Tinkerbell’s head over the crowd slowly working her way towards me. Once she finally arrives, I can switch from my please keep moving, to a please keep moving, this is not a parade viewing area.

Why Disney Loves Fastpass

It is all about the overall utilization of the park (utilization in the stochastic sense) Internally, WDW divides attractions into 3 categories: FP Preferred Attractions, non-FP preferred, and non-preferred. FP is removed from an attraction if it falls into the non-preferred bin, IE Philhar and Stitch. In addition, what actually matters is utilization during sustained demand. On a design day, sustained demand for preferreds occurs from noon to 3PM. This is the time of day where cast performance really makes a difference in utilization. During the other times, if there is not sustained demand (which basically means a wait of >15 minutes), utilization is a useless metric. Before fastpass, the utilization of preferred attractions during sustained demand was already at 99% or more (Space often breaks 100% utilization). But for the non-preferreds, utilization was low, think 50-60%, leaving tons of capacity for Guests to be doing something other than waiting. With fastpass, the overall park utilization increases. This means, on average, more rides per capita. RPC is what drives park hours and staffing, for Magic Kingdom everything that can feasibly done is done to keep RPC above 8.0. (This is where we hit union limitations and business rules, such as minimum turn around times between close and open.) So with fastpass, it benefits both the business and the customer, on average, the customer experiences a higher RPC at a same or lesser cost for the business. This has lead to an increase in utilization at the C-tickets, actually giving justification for refurbs of things such as TTA and the Worldshowcase attractions. Plus the best benefit: During no fastpass periods (EMH, hard ticket), the lines feel even shorter because of the speed at which they move.

Note: Universal really should take note of this stuff, it’d improve the experience greatly. In addition, I found it surprising how much I learned without having any type of NDAs or other protections.

Why FastPass is good

Over the past year, improvements equivalent to an extra E-ticket worth of capacity have been made at each of the parks. That’s why there have been so many refurbishments, especially at Magic Kingdom. Yet some people think that wait times are still too high and tend to blame FastPass for this. While I agree that yes, standby waits are longer due to it, average wait time is decreased.

Currently, FastPass, except on the 99 percentile days, is operating at a far lower ratio than designed at most attractions. If you visit on a design day or emptier, you shouldn’t really have any complaints about wait times and fastpass raising them. However, as soon as you cross the 80th percentile, you slip into damage control mode. Here, fastpass tends to be dialed up to it’s original ~85% of capacity in an attempt to minimize the number of people waiting in the long lines. On these days, you can definitely get an attraction done every two hours by properly using fastpass. Without it, while waits would be shorter than they are with it, they would still average over an hour, while design day targets an average wait of 20 minutes across priority attractions.
With Fastpass implemented, 85% of Guests don’t have to wait over 15 minutes. This actually lowers the average wait. Let’s look at a 90+ percentile day at Space Mountain.

Math:
85% of guests wait 15 minutes or less in the FP queue. 15% guests wait 120 minutes in standby.
(85*15+15*120)/100 = 30.
So the average wait for the attraction can still be 30 minutes on New Year’s Eve. I think that is definitely a positive thing. Without Fastpass, the 120 minute wait would have to go all the way down to 30 minutes to achieve the same average. With priority attractions, this is not going to happen, as per simple economics as cost goes down demand increases. It’s very rare even on empty days to see Space Mountain much lower than 30 minutes. So that’s why Disney considers Fastpass such a success, on busy days where the waits are already higher than acceptable per Guest satisfaction surveys, the average wait can be minimized giving as many guests as possible an excellent experience.

Now spectaculars and entertainment on beyond design days are an entirely different story.

Shift in Process, Part 5; The Princess is in charge

Make sure you start with Part 1

2:30 – Tonight is one of the rare nights where so much happens in the hub closely together that you can just sit down at 5PM and stay for 3 hours. It’s a Wednesday night in early December. The whole park is decked out for Christmas, the crowds not awful, the weather beautiful. I’m finally able to break out the wonderful blazer on top of the vest and not sweat to death. It really completes the outfit and rolls back the clock nicely to the turn of the century. At 1815 every night during this time of year, Mickey and Minnie come out on the castle stage to help Cinderella decorate her castle. Of course this is fine and dandy for Mickey and Minnie, but makes us have to quit our prodding of Guests through pathways until the castle is lit. Some of us know the timing of the show so well we can aid children in personally lighting the castle. After the lighting, I reclear my walkways and continue to wait.

1:50 – The parade will be stepping off in town square in 5 minutes. This means I have 10 minutes to make sure my section of the hub is prepared. I walk the curbs making sure if any body parts are in the road the attached body is sitting on the curb. Of course, this is a battle when I come across the family of 25 who has half a blanket in the street and appear to be having a picnic consisting of corn dog bites from Casey’s, funnel cakes from Sleepy Hollow, and the requisite Ice Cream Parlor sundae (my favorite in park dessert). They of course want to watch the parade, but do not seem to understand that it will not be a good view looking at the bottom of the tires as 5 ton floats sink them into the pavement. At least there’s not a protein spill in the middle of the path here like there was earlier smack dab in alignment with the very busy Casey-Ice Cream crosswalks. Luckily, it’s not a halloween party where I have to worry about Ike killing someone in a stroller, so it’s a pretty easy clear and I am able to go back to assisting at keeping the Gazebo flowing.

Shift in Process, Part 4; Just Keep Moving

3:29 – The waiting begins,  but this is not just any old regular waiting. This is paid waiting, with the small extra of having to deal with 15,000 incredibly well behaved human beings. Here at the Gazebo, it is up to me to keep 100 ft of walkway in two totally different directions with the added bonus of it being wrapped around a corner. In other words, it’s time to pace. I’m armed with the weapon of choice, the Blue Light Wand, which can instill movement into all but the most stubborn Guests. That…if…you just keep moving, just keep moving, life isn’t all that grim. It’s like the small child who can’t step on the cracks in the sidewalk because they are lava. Except in this case, if you stand on my line on the sidewalk I become your closest buddy until you are no longer on my line on the sidewalk. Only an hour and 44 to go. Right now it’s easy, only the curb is filled and I can direct Guests to nearby front row seating. I take advantage of a quiet moment to interact with the guests.

3:25 – I love overhearing Guest conversations. On a quiet day, I always get the family that realizes how good of a vacation date they chose. They thought ahead too. They have their small blanket on the curb, a child on it clapping and excited to see Custodial walk down the road in their bright costume. The Mom and Dad are sitting on either side of the child, pointing out shiny interesting things to them. They got to the parade route two hours early, so I take out the time to point out *my* favorite spot and make them feel like insiders. Unfortunately, there is a difference between Parents and parents.

Shift in Process, Part 3; or, the happy part

Make sure you have read the earlier parts!

3:30 – Ah, the Gazebo. Many memories have been made here (and I’m not getting paid to plug memories and general happiness). There was that one Saturday night, it was quieter than expected, an under 50k day. Nick and I had setup the area with 2 rolls of tape. (Yes: two whole rolls!) At this point, we were milling about on the Fantasyland Bridge making tape art to redirect traffic through the rose garden at a later point. It was mid-november, so we were finally able to break out the 1920s era jackets. In summary, we looked Disney. A group of young college girls walks up to Nick and I and asks if we can take a picture. So of course, being the Cast Members that we are, we say sure and wait for them to assemble themselves in a group. When they look ready, they flag us down. Of course, we are expecting to be handed a camera. Why it would take two of us to do so makes no sense, but neither do 105% of Guest requests. They actually wanted a picture with us. Not the usual can you take a picture of us, or, can we have a picture of you in your absurd Halloween purple pants outfit. These random Guests who we had barely interacted with wanted us to be a part of their vacation memory. Just because of the fact we had pointed out where they could get a front row seat for the parade in an hour. We made simple yet effective magic with no effort. All by just putting some masking tape on the ground. And we’ve only been on stage for a few minutes.

Shift in Process, Part 2; Assignments

Read Part 1.

3:45 – The meeting begins. I’m getting paid now to sit on a bench for 15 minutes and only have to pay attention to grab one small bit of information: my position for the day. Today’s coordinator and manager stand up front, saying nothing new or important, “don’t leave your position”, “make sure you know what you are doing”, “two way …. good ….. not like that disaster…”.

3:38 – They finally start running down the board. But first the old timers whine and bribe and claim they have to be escort today because they are tired. Except they were tired the day before and the day before that. The manager gives it to them for no reason. Backstage One, Two, Parade Escort One, Two, Firehouse VIP, Bridge VIP, Firehouse 1, 2, City Hall Disability 1,2, City Hall Crosswalk, 1, 2, one, two. Exposition Hall, Emporium One, Two, Pivot One, Two, Confectionery One, Two, Center Street East, Center Street West. Everyone listed so far breathes a sigh of relief, except Rick the poor trainer who has been stuck at City Hall Disability 1 for months with training groups. Next comes the most hellish section: Casey’s one, two, window, Ice Cream one, two, window. Those 6 brave souls groan, everyone else still sits patiently waiting to see how their day will be. Hub corner east, west, hub disability, hub crosswalk east, west, castle 1, 2, 3, (plus plugs and ropes), then castle crosswalk north 1, 2, castle crosswalk south 1, 2 and the ever awkward castle corner. Everyone named so far gets up and goes, grabbing the best light wands for the easiest jobs. But tonight is not just any night, it’s a 50k’er. We are staffed to the teeth, as close to new years as you can get, so the newbies are all remaining, waiting to hear what circle of hell they get assigned to.

3:35 – Here come the chutes. A captain for the west and east, plus as many spare bodies are available to help prod the cattle through. Exposition hall chutes are open tonight, this is where they stick the presentable bums. The bypass is coming out also, we have the joint bypass/expo chute captain who doesn’t actually work here, just scmoozes with the managers constantly. The unpresentable bums are stuffed in the dark bypass where they don’t have to speak, just have to stand there and point. I’ve still not been listed. That means they are saving me for the toughest spots, the ones that the regulars refuse to do but they know I am capable of. Hub Popcorn, bridge from hell east and west, Casey’s Hopeless redirect one and two, Exposition Hall two, Tomorrowland bridge, Fantasy bridge redirect, and the Gazebo. And of course, that is where I end up. Again. For the third night in a row. At least I’m good at it, but today they didn’t give me any backup. I talk to the manager and request more bodies, any bodies, and they say they will think about it. Which means no.

3:33 – I head down the stairs to the Parade Audience Control closet, grab two whole rolls of 3M Masking Tape, a blue light wand with dead batteries, and hang up my sanity.

End Act I.